One boardroom screen or fifteen across a sports bar — commercial TV installation is mounting engineering plus distribution cabling, and venues that treat it as "hanging a telly" wear the results for years. We install commercial TV systems for Brisbane pubs, hotels, medical centres, and offices: mounted right, cabled invisibly, controlled simply.
Prefer to talk? Call Chris — 0412 853 618
A bar full of screens, menu boards over the counter, or one very heavy panel on a difficult wall — send the venue and screen count, and Chris will come back with straight advice and a fixed price. Prefer to talk? Call 0412 853 618.
A commercial TV system has demands a lounge room never makes: screens running twelve hours a day, mounted where the public can't pull them down, fed from sources racked thirty metres away, and controlled by staff who didn't read a manual. The gap between domestic and commercial TV installation isn't the television — it's everything attached to it.
Unified Network Solutions installs commercial TV systems as the cabling-first trade the work actually is: commercial-grade mounting matched to the wall's construction, in-wall cabling done legally (ACMA Open Cabler #42489 — most of this work legally requires a registered cabler), distribution that lets any screen show any source, and control simple enough for the Saturday casual. One TV or a venue full of them, supplied and installed or install-only, with the documentation a commercial fit-out deserves.
TV wall mounting in a commercial space is a structural question first: plasterboard over steel stud, double brick, tilt-slab and heritage masonry all demand different fixings, and a 75-inch panel above a waiting room is not the place for optimism. We assess the wall, choose commercial-grade brackets rated well past the load, and fix into structure — then make it look effortless.
Cabling is where commercial mounting earns its keep. Power and data points installed behind the screen, in-wall runs to the source rack, and wall plates instead of dangling leads — work that legally requires a cabling registration the moment it goes inside the wall, which is exactly the card we carry. Tilting, full-motion and portrait orientations specified per location, anti-theft fixings where the public gets close, and recessed boxes where the screen needs to sit flat against the wall.
The finished install reads as part of the building: screen level, cables invisible, bracket forgotten. That's the whole standard — and it's rarer than it should be.
Multi-screen venues live or die on three things: sightlines, source flexibility, and whether the bar staff can drive it. We design for all three.
Sightlines planned, not guessed. Screen positions mapped from the seating plan — every table sees a screen, the big game owns the big wall, and no neck craning is required anywhere.
Any screen, any source. Foxtel boxes, free-to-air, streaming and in-house feeds racked centrally, with a matrix that puts any source on any screen — race 4 on the TAB corner, the footy everywhere else.
One controller behind the bar. A tablet or panel the Saturday casual can use: preset layouts for game day, quiz night and close — because a system staff can't drive is a system that's always wrong.
Menu boards above a counter and the waiting room TV in a medical centre share a brutal duty cycle: on at open, off at close, every day, in bright rooms. Consumer panels in these roles dim, burn in, and die young — commercial displays are rated for the job, and the price difference repays itself in lifespan alone.
We install menu boards in landscape and portrait, mounted flush over counters with power and data hidden in the wall, and connected to whatever drives the content. For waiting rooms, screens positioned for the seating, audio kept civilised, and free-to-air or streaming sources configured so reception staff never think about it. Gyms, showrooms and office lobbies get the same treatment — the screen as building fixture, not appliance.
Where multiple all-day screens need central management, the distribution thinking below applies — one source rack, many screens, zero set-top boxes balanced on brackets.
The moment a venue passes a handful of screens, the system matters more than the panels. The building blocks of commercial tv distribution, plainly:
Free-to-air and satellite distributed over coax to every screen — the proven backbone for hotels and aged care, covered in depth on our MATV & TV distribution page.
Channels delivered over data cabling — one cabling system for the whole building, screens wherever there's a point, and expansion that's a patch lead rather than a wall chase.
Sources racked centrally and switched to any screen over long runs — the engine of every sports bar, boardroom precinct and multi-zone venue we build.
Multi-panel arrays for foyers and retail, on engineered mounts with processor-driven content — aligned to the millimetre, because the join is forever.
Game audio to the bar zone, lobby screens politely mute, paging still heard — TV and commercial audio designed together, since you'll live with both.
Every feed labelled, every source mapped, spare capacity left in the rack — the next screen costs a visit, not a redesign.
Same trade, different stakes per room. Venue shapes our commercial tv installation work covers weekly:
Multi-screen sightline design, matrix switching, TAB and Foxtel integration — game day as the system's easiest day, not its annual crisis.
In-room TV distribution, foyer screens and conference displays — fed from one head-end, maintained without entering forty rooms.
Menu boards that run all day flush over the counter — the screens customers order from, installed to disappear into the fit-out.
Waiting room TV positioned for the seating and configured for zero staff effort — plus practice messaging where it earns its place.
Lobby screens, town-hall displays and meeting rooms that pair with our boardroom AV work — one contractor across the lot.
Banks of screens surviving heat, vibration and twelve-hour days — commercial panels, serious mounts, and cabling that outlasts the equipment.
Walk the space, map the seating and walls, count the real screen need — which is sometimes fewer, better-placed screens than the first guess.
Mounting per wall type, distribution architecture, source plan and control — quoted fixed, with supply included or install-only as you prefer.
In-wall runs done legally, brackets fixed into structure, screens hung level and cabled invisibly — scheduled around trading hours where needed.
Sources mapped, presets built, staff shown the controller — and the system documented so screen sixteen is an order, not an investigation.
AV companies rent a cabler; handymen skip the cabling rules entirely. We're the trade that is both.
In-wall TV cabling legally requires a registered cabler — ACMA Open Cabler #42489 means the hidden half of your install is lawful, certified and tidy.
Matrix switching, IPTV and MATV are network problems wearing an AV badge — and networks are the business we're named after.
Systems designed for the person behind the bar at 9pm Saturday — presets, one controller, no HDMI archaeology. If staff can't drive it, we haven't finished.
Single commercial TV wall mounting typically runs $250–$450 per screen including a commercial-grade bracket, with cabling extra if a new point is needed. Multi-screen venue fit-outs — a sports bar with eight to fifteen screens, or a menu board run — are quoted as a project, commonly $3,000–$15,000 depending on screen count, sources and distribution. Fixed quotes always — call Chris on 0412 853 618 with the venue and screen count.
Yes — multi-screen hospitality venues are core work: screens positioned for sightlines from every seat, commercial mounting that survives a grand-final crowd, distribution so any screen can show any source, and one simple controller behind the bar. We handle Foxtel/Kayo source planning, audio zoning so the call follows the main screen, and the cabling that makes fifteen screens behave like one system.
Duty cycle, mounting and distribution. Commercial displays are rated for long daily hours and brighter rooms; commercial brackets and fixing methods suit public spaces and masonry walls; and the signal usually comes from a central source via distribution cabling rather than a lounge-room HDMI lead. A consumer TV on a $40 bracket works until it doesn't — in a public venue, "doesn't" has consequences. We install commercial-grade and leave it documented.
Yes — menu board screens above the counter are a standard install: commercial displays mounted cleanly in landscape or portrait, powered and cabled invisibly, and connected to whatever drives the content. We do the physical and network layer properly so the boards run all day, every day, without the flicker, overheating or dangling-cable look that betrays a DIY job.
Yes — that's TV distribution: a central rack of sources (Foxtel, free-to-air, streaming boxes, in-house channels) feeding any number of screens over coax (MATV/SMATV) or the data network (IPTV). It's how hotels, pubs and aged care sites avoid a set-top box behind every screen. We design and cable both styles — see our MATV and TV distribution page for the deep dive.
Yes — video wall installation for foyers, control rooms and retail: precision-aligned multi-panel arrays on engineered mounting, with the processor and cabling to drive them as one canvas. Video walls forgive nothing — a 2mm misalignment or a marginal cable is permanently visible — so this is exactly the kind of work that rewards an installer with a cabling registration and a level.
Increasingly yes — IPTV distributes channels over standard network cabling, which new buildings often prefer: one cabling system instead of two, easier expansion, and screens anywhere there's a data point. Existing buildings with good coax often keep MATV for cost reasons. We install both and will recommend whichever the building's bones favour — as network cablers, we have no bias to defend.
We service Brisbane CBD, North Brisbane, South Brisbane, Gold Coast, Sunshine Coast, Ipswich, Logan, Moreton Bay, Redlands, and the wider South East Queensland region. For larger projects, we can service regional Queensland by arrangement.
Almost always — in-wall cabling with proper wall plates is standard on plasterboard, and we have the registered-cabler licence the in-wall work legally requires. Masonry, heritage and tilt-slab walls get surface duct dressed to near-invisibility where chasing isn't viable. What you'll never get from us is a power lead stapled down the wall — if a location genuinely can't be done cleanly, we'll say so before mounting anything.
Either. We supply commercial displays where you want one accountable contractor — specified for the duty cycle, brightness and warranty the location needs — or install screens you've purchased. The honest caveat: consumer panels in commercial roles fail early and void warranties when used outside their rating, so if you're buying your own for a venue, ask us which spec to buy first. The advice is free and occasionally saves thousands.
Commercial TV wall mounting, sports bar multi-screen systems, menu boards, waiting room TVs, video walls and the distribution behind them — across Brisbane CBD and metro, Logan, Ipswich, Redlands, Moreton Bay, the Gold Coast, and the Sunshine Coast. Supply-and-install or install-only, in-wall cabling done by the registered cabler the law expects, and screens your staff control without calling anyone. Fixed pricing, engineering-first mounting, and a venue that finally looks finished.
Venue type, screen count, and a photo of the worst wall — that's enough for a design conversation and a fixed quote. The brackets are forever; the quote takes a day.
Call 0412 853 618 Get a TV Install Quote Online
Unified Network Solutions